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ESYO Celebrates International Jazz Day

ESYO Celebrates International Jazz Day

April 30th is International Jazz Day, a day to celebrate a uniquely American art form

Today is International Jazz Day! A day to celebrate a uniquely American art form that has influenced and inspired much of the music we enjoy.

The hallmark sounds of Jazz are deeply rooted in the musical traditions and experiences of the African-American community and reflect a complicated history that involves pain and struggle, happiness and hope, and the relentless pursuit of freedom.

The sounds of Jazz are said to have first resonated in Congo Square before the Civil War. Located in the Treme neighborhood of New Orleans, Congo Square was the only place in America where enslaved African's were allowed to drum, dance, and perform their music. If you listen closely you can hear the jubilant melodies, vibrant rhythms, and rich heritage of West Africa in the music we love today.

The evolution of Jazz continues today with musicians, both young and old, exploring new sounds while mixing and melding the musical styles, culture, emotions, and experiences of those who create and enjoy the free and easy sounds of Jazz.

2021 INTERNATIONAL JAZZ DAY PLAYLIST
Blues Walk | Sonny Stitt
Congo Square | Wynton Marsalis & Yacub Addy
Strange Fruit | Billie Holiday
Alabama | John Coltrane
If I were a Bell | Frank Loesser

ESYO Celebrates the Magic of a School Concert

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March is Music In Our Schools Month, a time to celebrate school music programs and the dedicated school music teachers that set the stage for many of the area's great musicians. Magic happens at school concerts; school stages are often the first places students perform and where passion for performance begins.

To celebrate Music In Our Schools Month, we asked ESYO musicians to share their most memorable school concerts.

For ESYO violinist Sonia it is her first concert that is the most memorable. "I was in fourth grade," she said. "I was nervous and scared that I would mess up, but when I got on stage, I did awesome. That's when I realized I loved performing. No matter how much it scared me, no matter how nervous I got, I loved the feeling of being up on the stage with an ensemble, with an audience watching me, and having that excitement and adrenaline rush when performing."

3131E495 24B8 447E B93B 45204605F6A9COVID-19 challenged school music programs to think outside the box and find new ways to perform. It was difficult and not ideal, but it did offer some creative and unexpected moments. Lucas, who plays cello in his middle school orchestra recalled, "my most memorable school concert moment was in 2021 when we had to record our school concert because of COVID-19," said Lucas. Unfortunately, a technical glique in the recording kept him off the virtual stage, even though the audience could hear him. He approached the challenges of zoom concerts with humor and laughter, even when it may not have gone the way his orchestra expected. We can all learn from Lucas' perseverance and recognize that we learn the most from difficult situations.

IMG 8586For bass clarinetist Julia, her most memorable concert is connected to her favorite piece. When Julia was a freshman in high school, she heard a senior perform Deepwood by David Bennet. "It is a song that was written relatively recently for the bass clarinet and was the first bass clarinet solo piece published in the United States... I really liked it," said Julia.

Three years later, the encouragement from her older peer inspired Julia to work with her school band director to prepare Deepwood for the NYSSMA Festival. "I took a leap of faith and signed up for NYSSMA to play Deepwood," said Julia. "Now, with the help of my band teacher and my clarinet instructor, I have gotten so confident in the piece that I used it to audition for ESYO and for college," she continued.

Do you remember what it was like standing on stage for the first time? What is your most memorable school concert? Share your school concert experience on social media and tag @EmpireStateYO.

ESYO CHIME Embark on a Reflective Composition Project with Local Composer

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Challenges and adversity are parts of everyday life, and our experiences shape us as individuals and as a community.  How we bounce back and overcome day-to-day struggles changes us and defines who we are. ESYO's Reflections of Resilience Project explores the stories of our community's resilience and interconnectedness through music.  

CHIME musician Jay-Era conducts young ensemble at Proctors GE Theatre

Funded by Carnegie Hall Weill Music Institute's PlayUSA initiative, the project brings together ESYO CHIME members and their families from Schenectady and Troy Using personal stories and expression as an inspiration for  improvisation and composition, ESYO CHIME musicians will translate their thoughts and feelings into music and stitch together a colorful new work to share with the world.  

“It's really exciting to see all the creativity coming from these young musicians," said David Bebe ESYO's Director of Education. "Expressing one's own unique ideas and connecting them to a concept of internal strength and community deepens the entire musical experience. The goal is to develop a foundation inclusive of lifelong tools of self-expression and how to thrive amidst all the various challenges we face in life," he continued.

RPI Professor and Composer Chris Fisher-Lochhead.Helping guide the project is ESYO CHIME Administrator Zoë Auerbach and Teaching Artist and ESYO Alum, Jessica Bowen. RPI Professor of Music and composer Chris Fisher-Lochhead will bring the musician's compositional ideas, improvisations, and stories to life as a multi-movement work for a combined orchestra.  As a composer, Chris Fisher-Lochhead's music reflects an interest in cultivating adventurous and inclusive environments for music-making.  Collaborators include notable ensembles like the Arditti Quartet, Dropshift Dance, the Spektral Quartet, Houston Grand Opera, the Contemporary Music Ensemble, to name a few.

Want to hear it? Stay tuned toesyo.org and the Downbeat for information about the world premiere. 

Join ESYO Today!

Sound Together & Make New Friends with ESYO

If you, your child, or a young woodwind, brass, or percussion musician in your life is passionate about making music, encourage them to join ESYO's Concertino Windwood, Brass, & Percussion. It's a 10-week session designed to introduce young musicians to the Empire State Youth Orchestra, and NO AUDITION IS REQUIRED. Registration is open now through February 18. 

Learn More

ESYO CHIME PERFORMS STAND TALL AT CARNEGIE HALL

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Carnegie Hall's PlayUSA foundation, which funded the creative learning project, invited ESYO CHIME to present its composition at its national convening.

2R1A4368 ReducedOn Tuesday, June 28, 2022, a small chamber ensemble of ESYO CHIME musicians, teaching artists, and parents boarded a bus at Proctors. Its final destination? Carnegie Hall! For this passionate group of young musicians, the three-and-a-half-hour drive from Schenectady to New York City was the prelude to an incredibly memorable moment. The trip also marked the first time ESYO CHIME would perform on a national stage.

Following the premiere of Stand Tall, A Reflection on Resilience at Proctors GE Theatre and its reprise performance at SPAC's Festival of Young Artists, Carnegie Hall's PlayUSA foundation, which funded the creative learning project, invited ESYO CHIME to present its composition at its national convening. The audience consisted of musicians, music teachers, arts administrators, Executive Directors, and PlayUSA community partners throughout the United States, including the Hawaii Youth Orchestra.

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"The opportunity to perform at Carnegie Hall can be a once-in-a-lifetime experience for many musicians. It's a great honor to say you performed at Carnegie, and a memory they will carry with them for the rest of their life," said Dr. David Bebe, ESYO's Education & Curriculum Coordinator.

IMG 1808 reducedFor rising high school freshman and CHIME violinist Sonia, the experience was certainly a memorable moment that she was excited to share with her friends in CHIME. "It was a place I never thought I would perform in," said Sonia. She had an even more memorable experience because of the people she went with. "It was fun to have new memories with other CHIME musicians and to share our project," she said. Sonia joined CHIME during the 2020-2021 season when CHIME was fully virtual. This experience was a fitting finale to her first in-person season with ESYO. "Stand Tall" was also relevant to the experiences shared by Sonia and perhaps most young musicians across the country. "The song is about going through a hard time and how you can persevere and keep going. It's about standing tall," said Sonia.

As part of the presentation, each musician spoke about the compositional process and how the piece came to life. "It showed student agency and leadership beyond playing their instrument," said Dr. Bebe. With help from composer-in-residence Christopher Lochead-Fischer, CHIME musicians created improvisions, composing rhythms and melodies, and wrote lyrics. The components were collected and stitched together like a tapestry by Lochead-Fischer. Sonia describes the project best, "We all had a little bit of us added to the song," she said. Sonia is pleased with how everything turned out in the presentation. "It was fun and sounded nice," she said.

After the performance, members of PubliQuartet, who were the catalysts for the PlayUSA Reflections on Resilience Project, joined ESYO CHIME on stage to jam. "It gave me the chills," said Dr. Bebe. "Our musicians were vamping on a chord progression when suddenly the PublicQuartet seamlessly wove themselves into the texture with these incredible melodies, harmonies, and rhythms. It was an2R1A4440 reduced amazing experience," he continued.


Performing at Carnegie Hall wasn't the only fun part of the trip. Before hopping on the bus to come home, the group walked a few blocks to Central Park. While in the park, they climbed the famous Umpire Rock, one of Central Park's largest rock outcrops, and went for a spin on the landmark Central Park Carousel, aka the Michael Friedsam Memorial Carousel. "My favorite part was exploring Central Park and talking with each other," said Sonia.

ESYO CHIME Returns to the Stage

EYSO CHIME Returns to the Stage to Create Harmony

In March, ESYO CHIME traded their rehearsal room for a Google Classroom and the auditorium for a virtual stage. Earlier this month, ESYO CHIME returned to create harmony together in-person and onstage at Proctors GE Theatre and the Troy Savings Bank Music Hall. The grand reunion to record their fall concert was met with excitement from both teaching artists and students alike.

Students from the Troy-based CHIME program, which typically meets at the Boys & Girls Club of Troy, got together onstage at the Troy Savings Bank Music Hall. As music echoed through the historic landmark, the smiles on the faces of each musician were priceless. In Schenectady, CHIME students at the Proctors sites teamed up to record an arrangement of "The Moldau" by Czech composer Bedřich Smetana. For many of the students, this was the first time seeing their classmates in-person and not on a computer screen. Like so many districts across the country, Schenectady School Districts opted into Virtual classrooms for the fall semester. ESYO Young Leaders De'Vaughn and Jay-Era stopped by Proctors to lend a helping hand to Teaching Artists Nick and Theresa and fill in some needed parts for the recording.

As we look forward to 2021, we are excited to ramp up the program with more in-person instruction and rehearsal. ESYO CHIME's continued virtual learning and special event in-person programming are made possible with the generous support of many individuals, foundations, and corporate partners in the Capital Region.

ESYO CHIME to Premiere New Work on Resiliency

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IMG 0300Last month, ESYO CHIME embarked on a new music project with contemporary composer and RPI Professor of Music Chris Fisher-Lochead.

Funded by Carnegie Hall Weill Music Institute's PlayUSA initiative, ESYO CHIME is one of many PlayUSA partners participating in this creative learning project. The piece, which is titled "Stand Tall," uses personal stories and expressions of resiliency collected by members of ESYO CHIME as an inspiration for improvisation and composition. Creative inspiration for the project came from the PUBLIQuartet's 2020 world premiere of "Reflections on Beauty," which "chronicles the life of Madam C.J. Walker and the strong communities she fostered in America at the turn of the 20th century." On Friday, May 13, 2022, members of the GRAMMY-nominated quartet will visit ESYO CHIME and share their experience with improvisation and creative storytelling. While visiting ESYO at Proctors in Schenectady, Curtis, Jannina, Nick, and Hamilton will meet and greet members of CHIME, coach ESYO's young musicians through the creative process, provide feedback on the piece, and help place the finishing touches on the project.IMG 0322

Since the beginning of the project, Christopher Fisher-Lochead made four visits and worked directly with CHIME musicians to develop musical ideas and began laying the framework for a multi-movement orchestral work for a combined CHIME orchestra consisting of 4 CHIME ensembles, voice, and recorder. Rehearsals for the world premiere will begin in early April following a 5th and final composer visit. ESYO CHIME will premiere the piece at SPAC on Sunday, June 5, at its annual Festival of Young Artists.

 

ESYO Explores Soundpainting with the Launch of MusicNOW!

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ESYO musicians returned to the rehearsal room this month for the start of what will be an exciting season of adventurous music-making. The new season also brings something brand new: MusicNOW!
What is MusicNOW? MusicNOW! is a philosophy curated by ESYO Music Director Etienne Abelin. By engaging often underdeveloped music dimensions, this approach to music-making brings young musicians further into their musical experiences. It invites young musicians to become movers, storytellers, connectors, improvisers, and creators while helping to develop new ensemble skills and enhancing ensemble playing.

"Music can only come to life in the present, in the NOW! This is true no matter whether it's music that was composed 300 years ago or yesterday. And it's our task as musicians, whether younger or older, to bring it to life and to transform legacy into something new, fresh and unifying, said ESYO Music Director Etienne Abelin.IMG 3181

Physically embodying music (movers), feeling and understanding the emotions and transformations of emotions that drive  a piece (storytellers), and listening and relating intensely to each other (connectors) are at the heart of MusicNOW, which leads musicians to spontaneously create music (improvisers and creators) playfully - even classical music pieces can be played in an improvisatory and creative spirit! MusicNOW! is a natural fit for ESYO. It augments the long-held value that learning music is a joyful pursuit of musical excellence. ESYO will host collaborative workshops throughout the season featuring guest artists and experts in storytelling, connection with others, movement, flow, breath, and improv.

ESYO launched this new venture earlier this month with the help of composer, creative entrepreneur, and Woodstock-native Walter Thompson. Soundpainting inventor Thompson spent a week teaching ESYO musicians, conductors, and CHIME staff about his innovative composing sign language. Soundpainting connects music with movement using more than 1500 gestures to compose music live, at the moment, with other musicians, dancers, actors and visual artists. The gestures allow young musicians to communicate musical ideas with each other while embodying the music they are creating.

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The workshop allowed ESYO musicians to try their hands and take the first steps toward becoming MusicNOW musicians. Walter Thompson also joined ESYO Symphony and Repertory Orchestra at Frost Valley for their annual retreat at Frost Valley.

We look forward to seeing where MusicNOW brings ESYO and each young musician.

ESYO French Horn Player Awarded the 2022 Barry Richman Careers in Music Scholarship

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Each spring ESYO awards an outstanding senior the Barry Richman Careers in Music Scholarship.  Named in honor of ESYO Co-founder, current board member, and Albany Symphony percussionist Barry Richman, this award is presented to the senior who best exemplifies the goals and standards of their ensemble, has made outstanding musical contributions, exhibits the skills needed to succeed in music, and is pursuing a music career.  ESYO is delighted to present this year's award to Kate Szumowski. 

Kate has been an outstanding member of Symphony Orchestra this past season, which marked 5 years playing with ESYO.  

In addition to the French Horn, which she plays in Symphony Orchestra, Kate is an accomplished singer and pianist, plays the violin and mandolin, and has been a member of seven different music ensembles at her school. Kate's musical endeavors include memberships in the Mohawk Valley Chamber Ensemble & Chorale, the Capital Region Wind Ensemble, the Gloversville Civic Band, NYSSMA All State Band, Area All State, and All County. 

“Music has the ability to connect all who experience it; the musicians, conductor, and audience all share a human experience unlike any other.”

Kate Szumowski, ESYO Class of 2022

 MG 9310 reducedA powerful moment occurred for her when she was playing Tchiakovsky's "Romeo & Juliet" last year with the Symphony Orchestra. She writes, " I recall how elated I was playing the soaring "Juliet" horn line. I suddenly had the thought: I want to do this for the rest of my life."

The ESYO Team applauds her remarkable progress, and looks forward to see where her passions will lead her, and what accomplishments certainly await. This fall, Kate will cross the pond to pursue a degree in French Horn Performance at the Royal Conservatoire of Scotland, where she will just as surely make her mark, as she has in ESYO and our musical community.  The conductors and staff at ESYO wish Kate all the best in her future endeavors, and encourage her to keep finding the joy. 

 Congratulations, Kate!

ESYO Grad Begins College with Help from Local Foundation

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ESYO Alum Begins College with Help from Local Foundation

Double Bassist Begins Career with Support from the Henry Butzel Family Foundation

Performance Center at the College of St. RoseIt's mid-August, summer is coming to an end, and like most college students, ESYO Alum, Schenectady grad, and double bassist, Nicholas Dwarika, has been busy preparing for the first day of College. Nick will join a long list of ESYO alumni who have gone on to pursue a 4-year college degree. Not all ESYO alumni go off to the conservatory to study music. Many take the skills and lessons they have learned in ESYO and apply them to careers in science, technology, engineering, business, and public service. But, Nick has a dream to pass on his love of music to the next generation as a music teacher. The road to achieving his dream will begin this fall at the College of St. Rose in Albany. 

After a long summer of "gigging out" at small socially distanced grad parties, taking virtual lessons from players around the country, and practicing everything from the Bach Cello Suites and the Dragonetti Concerto to Charlie Parker's Just Friends and Isn’t She Lovely by Stevie Wonder, Nick is most excited about playing with other musicians who are just as passionate about music as he is. Nick credited ESYO for helping him get to where he is now. "ESYO has helped prepare me by providing an environment that allowed me to challenge myself through an individual desire to become better," said Dwarika. But as Nick walks through the doors at the College of St. Rose, he will do it with confidence knowing that has the support of the Henry Butzel Family Foundation Scholarship. 

 MG 8486Named in memory of the late Dr. Henry Butzel, a biology professor at Union College, The Butzel Family Foundation Scholarship is centered upon providing financial support to graduates from the Schenectady School of Fine Arts. Mirium Butzel noted that "Nicholas' application showed him to be deeply involved in his study and devoted in his work with music, and especially appealing to me was his plan to teach at an appropriate time."   

Nick is grateful to the support that he is receiving from Mirium and the Henry Butzel Family Foundation. "The Butzel Scholarship allows me to pay for my college education without fear of having to take on student loans," said Dwarika. ESYO is also grateful for the support of Mirium and the Henry Butzel Family Foundation. Through their ongoing support of ESYO CHIME, dreams like Nick's are possible.

image003 1We are incredibly proud of Nick and his achievements and wish him and the entire Class of 2020 all the best as they begin their first year of college. 

To the newest members of ESYO, Nick has some advice for you. "Do not stress about others being better than you. Everyone started at a different time and put different amounts of time in to get better. It doesn’t matter where you are now, but what does matter is that you understand, you will improve over time."

Great advice Nick!

ESYO Inaugurates a New Year of Mentoring the Next Generation

ESYO Inaugurates a New Year of Mentoring the Next Generation

Twenty-five service-minded adults from all walks of life and professional disciplines step up to mentor members of the ESYO Young Leader Program.

Schenectady, NY- Alongside twenty-five volunteers from all walks of life and professional disciplines, the Empire State Youth Orchestra is excited to inaugurate a new year of mentoring young musicians enrolled in ESYO's Young Leader Program. The program, which focuses on nurturing personal growth and youth leadership in high school-aged musicians, connects members with caring, service-minded mentors committed to empowering the next generation of leaders and inspiring a life-long love of music-making. ESYO Young Leaders serve as advisors to the organization, plan and develop community service projects, and play a critical role in ongoing conversations around diversity, equity, and inclusion practices at ESYO.

Since the start of the pandemic, members of the ESYO Young Leaders Program have curated two playlists for the community as a gift. The playlists, "Playing Through The Pause" and "A Quarantined Holiday," were published on YouTube and shared with residents at local nursing homes and hospitals. ESYO Young Leaders have also participated in fundraisers and created educational support videos for beginning ESYO members. Despite the challenges of volunteering during the pandemic, ESYO Young Leaders are eager to find ways to give back to their community in 2021. Projects include teaching their peers how to create their audition videos this spring and volunteering for Music For Change, a youth-led, non-profit movement dedicated to bringing positivity, hope, awareness, and change to the entire world through music. Inspired by the Soundwalk at SPAC, one ESYO Young Leader is looking to create her own version of a Sound Walk for the Capital Region Parks.

"We are proud of the passion and dedication of our ESYO Young Leaders,"said Rebecca Calos, ESYO's Executive Director. "Their voice, experience, and their youth leadership are at the core of our organization, and the Young Leaders Program extends to them a seat at the table to be a changemaker not only in ESYO but in the community at large," she continued.

Master Sergeant Brian Sacawa, Senior Musician & Media Relations Director for The U.S. Army Field Band and first-time ESYO mentor, said, "Leaders paint a picture of what is possible and inspire those around them to turn that vision into a reality. My goal as a mentor in ESYO's Young Leader Program is to plant those seeds of curiosity, awareness, and "big picture" critical thinking. I hope that, whether music becomes their profession or remains a hobby, they can make a positive, lasting, and meaningful contribution to their community." Master Sergeant Sacawa was a member of the ESYO Symphony Orchestra and Jazz Orchestra from 1993 to 1995.

Similarly, June Criscione, an ESYO Alumni member, a community musician, and a 4th- year medical student at Yale University, said, "One of the most important skills for playing in any musical ensemble—from a duet to a symphony orchestra—is listening to other musicians. Listening is also one of the most important qualities of a mentor." When asked about what she hopes her mentee will get out of the experience, Criscione said, "I hope that I can support my mentee in discerning their own unique goals and how to achieve them. I also hope that our time together will include thinking about ways to integrate their varied interests, including music and medicine, in the realm of community outreach and other meaningful pursuits."Criscione, who was active in many ESYO ensembles, including ESYO Symphony Orchestra from 2005-2013, first met with her mentee several weeks ago and was excited to learn that they are interested in exploring a healthcare career.

ESYO Young Leader and ESYO Repertory Orchestra violinist Alyeene Zebrowski said, "This year, I am hoping to make the most out of what I can do with the current situation. My mentor has already helped me grow as a leader and as a musician. She is extremely knowledgeable in so many subjects, and she has even arranged experiences outside of music for me to participate. She has helped me to become more outgoing and more willing to try new activities that push me outside of my comfort zone."

According to Mentor NY, a state-wide partnership that supports organizations like ESYO to launch and manage mentoring programs, 1 in 3 young people in New York grow up without a mentor to nurture their daily life and help attain their educational and career goals. A survey released by Mentor NY found 78% of young people with a mentor are more likely to pay it forward by volunteering in their community. Young people with mentors are also more likely to hold leadership positions in school, clubs, and daily life. ESYO established its young leader program to empower young musicians in ESYO to build leadership skills inside and outside the concert hall.

"Young musicians are intensely passionate and creative people," said Jared Shortmeier, the ESYO Young Leaders program coordinator. "Our musicians love making music together but have interests, talents, and long-term goals that do not always involve careers in music. ESYO Young Leaders gives them a structured youth- led environment to connect those passions, explore their talents, and imagine a future for themselves," he continued. "Our mentors serve our young leaders as a kind and caring advocate and sounding board while they work to figure it out." Mentoring programs like ESYO Young Leaders build practical skills through hands-on learning and help develop soft skills, which support professional success and positive youth outcomes.

2020-2021 ESYO mentors include ESYO alumni, medical students, professional musicians, educators, attorneys, engineers, financial analysts, community leaders, and arts administrators. This year, ESYO leverages remote technology to connect mentees with mentors from across the country, including New York City, Rochester, Boston, Baltimore, Washington D.C., and Miami.

Carlos Ágreda, ESYO's Music Director and conductor of ESYO Symphony Orchestra, is one of the twenty-five mentors. "Looking back, I've benefited from many mentors who've guided me but always empowered me to realize that I am in charge of my life," said Ágreda. " It is important for young people, especially young musicians, to have someone to guide them in the discovery of their path," he continued. "Mentors helped me to see my life outside of my head, and from a perspective of experience."

ESYO Young Leaders meet online weekly to plan projects and give back to their community. Technology allows ESYO Young Leaders, like Alyeene, to routinely meet with their mentor online, anywhere in the country.

2020-2021 ESYO Young Leader Mentors
  1. Brian Sacawa*- Senior Musician & Media Relations Director for The U.S. Army Field Band | Pikesville, MD
  2. Zaheer Ali*- Financial Analyst at Northeastern University | Boston, MA
  3. Colleen Bernstein*- Freelance Musician, Founder and Artistic Director of Strength & Sensitivity Concerts | New York, NY
  4. Joseph Giordano*- Freelance Musician and Educator | New York, NY
  5. Joana Genova- Co-Artistic Director at Taconic Music, Asst. Professor of Violin at the University of Indianapolis | Manchester, VT
  6. Alessandra Shellard*- Freelance Clarinet Teacher, Band Director at Ichabod Crane Central School | Niskayuna, NY
  7. Natalya Scimeca*- Attorney-Advisor, Office of the Legal Advisor at the U.S. Department of State | Washington, DC
  8. Heather Chan* Freelance Violinist and Violist, Engineer at GE Global Research | Niskayuna, NY
  9. Everett McNair*- Sales Engineer at Lutron Electronics | Bethlehem, PA
  10. Jean Leonard- Professional Soprano, Chief of Staff at Proctors Theatre | Delmar, NY
  11. Rob Aronstein- Freelance Performer Audio Engineer, Band Director at Oneida Middle School | Schenectady, NY
  12. Dr. Edward Marschilok- Freelance Musician, Interim Dean of School of Music at SUNY Schenectady | Troy, NY
  13. Ellen Madison- Violin Instructor and Performer | Ridgefield, CT
  14. Gaelen McCormick*- Private Instructor, Arranger and Composer, Program Manager at Eastman School of Music | Rochester, NY
  15. Sean Jones*- Violin/Viola Instructor, Freelance Film-Scorer, Marketing Coordinator at Caramoor Center for the Arts | New York, NY
  16. Phillip Ducreay*- Musicologist, Teacher, Doctoral Candidate in Violin Performance at the University of Maryland | College Park, MD
  17. Michael Dee- Freelance Clarinet Instructor and Performer, Founding Member of Quintocracy | Round Lake, NY
  18. Sophie Moss*- Development Director at the Albany Symphony Orchestra | Albany, NY
  19. June Criscione*- Community Musician, 4th Year medical student at Yale University | New Haven, CT
  20. Ann-Marie Schwartz- Founder and Director of the Musicians of Ma'alwyck | Scotia, NY
  21. Aden Brooks*- Music Theory Professor, Freelance Artist, Doctoral Student at the Frost School of Music | Miami, FL
  22. Nicole Cherubini- Artist, Professor at the Rhode Island School of Design | Hudson, NY
  23. Kathryn Sloat*- Freelance Harpist, Harp Teacher | New York, NY
  24. Chris Shiley- Senior Director of Artistic Planning for the Saratoga Performing Arts Center | Saratoga Springs, NY
  25. Carlos Agreda- Musician, Conductor, Music Director at the Empire State Youth Orchestra | Albany, NY 

*Alumni member of the Empire State Youth Orchestra

ESYO Logged On For 2020 Northeastern Seminario

ESYO CHIME Logged On For El Sistema USA's Northeastern Seminario

Ciarra, De'Vaughn, and Da'Viaire were joined by students from Toronto, Massachusetts, New York and Connecticut

Last week, 45 young musicians from New Jersey to New York and Massachusetts to Toronto gathered online to make music together as friends and musicians. ESYO CHIME members and sibling trio Ciarra Miller, De'Vaughn Miller, and Da'Viaire Dehaney-Miller signed on to play and ESYO Education Manager, Alexandra Carella-Delfino logged in to facilitate a few sectional rehearsals. Ciarra, De'Vaughn, and Da'Viaire were joined by students from 8 El-Sistema-inspired programs, including the Patterson Music Project (NJ), Sistema Toronto (CAN), D'Addario Foundation-Ascente Chamber Orchestra (NY), Josiah Quincy Orchestra Program (MA), Kids 4 Harmony (MA), Project Music (CT), and INTEMPO (CT).

The gathering was hosted as part of El Sistema USA's Northeastern Seminario, a week-long music-making intensive with 2020 Artists-in-Residence, The Collective Conservatory.  

The Seminario focused students on the Blues and used ASCAP Award-winning composer Omar Thompson's Sharp Nine and the 12 bar blues to boost their performance on their instruments, teach new skills, and stir up the creativity inside each student.

"This week has been an interesting one. I attended this program last year and I had a great time. This week so far has been educational and I’ve learned a lot about the blues considering I haven’t looked into the blues before. I’ve had a great time learning and experiencing new things with others," said De'Vaughn.

"How is everyone today? We'd love to hear what you've been working on." As student's logged on, they were greeted by The Collective Conservatory (TCC) co-founder Dan Trahey a hip Tuba player from Baltimore who connected with the students as if he were a DJ/producer. TCC teaching artist/conductor Armand Hall led large-group zoom rehearsals. With the help of a playback track streamed LIVE online, each young musician muted their microphone, played along with the playback track, recorded their performance on their cellphone or tablet, and submitted their recording for review. Throughout the session, students and teachers seamlessly entered and exited virtual rehearsal rooms and sectional practice rooms, as if they were rehearsing together in-person. 

"Awesome Valerie! I saw you practicing on mute, fantastic work." While in the sectional practice rooms, students eagerly "woodshedded" their part, learned something new, and earned plenty of praise from sectional coaches like ESYO's own, Alexandra Carella-Delfino. 

 "Franceso that's awesome! Let's get it recorded. I'd love you to do a solo for this. On Thursday, the sections polished up their assigned parts, improvised their solo's, created new sections for the final recording, and shared their performance with the section. By the end of the week, Ciarra, De'Vaughn, and Da'Viaire learned the basics of the blues, including its structure, riffs, rhythms, and history, all while jamming and improvising together.

"Blues Music is life music."- Thornetta Davis

The Queen of Detriot Blues, Thornetta Davis dropped by on Thursday to talk with students about her experiences as a professional blues singer and what the blues means to her. Davis's career, which began in 1987, started as a hobby and evolved into a successful recording career that included performances with Bonnie Raitt, Gladys Knight, and jazz icon Etta James. She shared her belief that we all have the Blues in us and that the origins of blues originated from the "blood, sweat, and tears of slaves in the fields," across America. Soon after, Thornetta sang her newest single, "I Believe" and got students singing their blues and playing before returning to the sectional practice rooms to write and record their own blues tune. 

All the music performed and composed by Ciarra, De'Vaughn, and Da'Viaire, as well as all the young musicians who participated in El-Sistema's Regional Seminario, is to be released online at a drop party later this month. 

ESYO Musician Flies to L.A. for YOLA National Symposium

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Jay-Era

Each year, young musicians from across the country convene in Los Angeles for the YOLA National Festival and again for the YOLA National Institute. Hosted by Maestro Gustavo Dudamel and the LA Philharmonic, YOLA is a highly competitive, audition-based summer intensive for members of el-Sistema programs in the United States. In 2021, ESYO musician Jay-Era auditioned for YOLA and was one of 100 young musicians accepted into the 2021 YOLA Symphony Orchestra. "The audition process to YOLA is very, very competitive since you are going against thousands of people from around the country...so many people auditioned that they had to push back the audition results," said Jay-Era.

In addition to auditioning for the YOLA Symphony Orchestra, Jay-Era, who began her pursuit towards musical excellence in ESYO CHIME and now performs with ESYO's Repertory Orchestra and Youth Jazz Orchestra, was one of thirty young musicians from the Symphony Orchestra selected to participate in the YOLA National Institute, an in-depth training program for musicians interested in pursuing a career in the field of music.

In October, Jay-Era boarded a plane in Albany and endured a 7-hour flight across the country to attend the 2021 YOLA National Symposium. When she arrived at LAX, she got to see her friends who flew in from New York City, Florida, Texas, Maryland, and Georgia. "We are like a family," said Jay-Era. "We all made bonds and amazing memories with each other, which will last forever." While in town, Jay-Era got to explore downtown L.A. and the Universal CityWalk, a three-block entertainment, dining, and shopping promenade near West Hollywood. After a trip to the beach, Jay-Era and her friends went to see Gustavo Dudamel conduct the L.A. Philharmonic at the premiere of Trumpet Fantasy by Alt-rock bassist Steve Mackey. After the concert, she got the chance to meet the composer and took pictures with members of the L.A. Philharmonic.

Like ESYO, YOLA is "serious fun." Jay-Era and the 29 other members of the YOLA National Institute were there to discuss the Symposiums 2021 theme, Change. They were the only youth panelists at the conference and played an important role in the discussions. Surrounded by top educators from across the country, "we talked about what type of changes we want to see in the field of music and for the future of youth," said Jay-Era. 

Jay-Era's hard work and talent earned her a spot on the national stage. In the days and months leading up to her virtual audition, Teaching Artists at ESYO CHIME helped her prepare for her audition and gave her additional private lessons. Jay-Era's recent experiences with auditioning for ESYO's ensembles taught her what to expect during an audition while helping her set high personal standards for excellence.

Experiences like the YOLA National Symphony Orchestra, National Institute, and Symposium are critical for serious, young musicians like Jay-Era. "YOLA has deepened my love of music and my passion for music. It showed me that I should be more confident because this was a high achievement! YOLA also showed me that I really enjoy performing with others who have the same passion for music." YOLA also gives musicians like Jay-Era the chance to meet and collaborate with successful musicians. Earlier this year at the YOLA National Institute , Jay-Era met and interviewed celebrities like Emmy-award-winning composer Kris Bowers, two-time GRAMMY Award-winning composer Derrick Hodges, and American rap icon Lonnie Rashid Lynn, aka Common.

ESYO Musicians & Alumni Celebrate MLK Day at State Capitol

ESYO Musicians and Alumni Celebrate Dr. Martin Luther King Jr. at the New York State Capitol

ESYO violists Peyton Roach and Cristiane Richardson perform "Lift Every Voice & Sing" with ESYO Alumnus Avery Roach

The Reverand Dr. Martin Luther King Jr. envisioned a world reconciled in love and free from hate and bitterness.  Dr. King dreamed of the "beloved community."  For civil rights leaders and the black community, music was a medium to communicate this dream.  

"Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph. This is triumphant music."

-Martin Luther King Jr.

This past Martin Luther King Jr. Day, New York celebrated the life, legacy, and dream of Dr. King with music, art, and poetry at Civil Rights: Then & Now, an MLK Day Celebration. The virtual celebration streamed online and on-air on WMHT and PBS stations across the state. Featured in the one-hour program were ESYO alumnus Avery Roach, ESYO Symphony violist Peyton Roach, and ESYO String Orchestra violist Cristiane Richardson. Together, as members of the Albany-based Macedonia String Trio, Avery, Peyton, and Cristiane performed an arrangement of "Lift Every Voice & Sing" at the million-dollar staircase inside the New York State Capitol. 

Originally written as a poem by NAACP leader James Weldon Johnson and set to music by his brother John Rosamond Johnson in 1900, the song became a standard in black church hymnals and revered as an anthem for freedom and the affirmation of African American people.  In 1919, amid increased racial tension and violence, the NAACP formally dubbed "Lift Every Voice & Sing" as the "Negro National Anthem."  Since its premiere in Jacksonville, Florida, on Abraham Lincoln's Birthday, February 12, 1900, "Lift Every Voice & Sing" remains an enduring song of hope leading our communities towards the realization of Dr. King's dream of a beloved community.

Peyton Roach, who plays viola in ESYO Symphony Orchestra, commented on the significance of the performance, " It meant a lot, and it was very special to me because it's a very unifying piece with a great viola part," she said. "I've experienced racism before, and I've been called the n-word.  It felt good to be able to perform a triumphant piece about lifting your voice, especially because we recorded it during a time of social unrest and violence towards black people." 

"The fact that we were playing it for Dr. King Day was meaningful," she continued.  "He was a very important figure in Civil Rights, and we tend to look over a lot of what he did and how people treated him.  We often look at the past with rose-tinted glasses and forget that while a lot of people liked him, a lot of people really hated him." 

ESYO Alumni and cellist Avery Roach, who learned to compose music during his time in ESYO, composed the arrangement of "Lift Every Voice & Sing" for the Macedonia String Quartet.  When asked about the significance of this arrangement, he said: "As a black composer, I believe that elevating black music is incredibly important because music is an integral part of African American culture."

 

Avery and Peyton's Mom, Monica Roach, who played cello in ESYO from 1980 to 1984 and now works for ESYO as a Master Teaching Artist for ESYO CHIME, said: "I was at the point of tears when they hit that right take. I was thinking about what it was like, many years ago, when I first played for the Governor as a member of ESYO. I remember the feeling and sense of importance, and now my children and Cristiane have come full circle to celebrate the memory of Dr. King in our State Capitol."  Monica founded the Macedonia Chamber Orchestra and Quartet at the Macedonia Baptist Church in Albany five years ago with her children and thirteen other young musicians.

Their performance and the entire program is archived online at WMHT.org.

 

ESYO Musicians Need Your Support

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ESYO returned with great excitement to regular rehearsals and live performances. But we are seeing a tremendous need for more focus on the individual, with more attention to sectionals and coaching.

Symphony Orchestra at Troy Savings Bank Music Hall November 2021Over the last 18 months, we have worked to overcome the challenges of COVID in order to keep our young musicians playing, learning, and performing. We benefited greatly from your support and the outpouring of generosity from our community, and as a result, our young musicians continued to play without pause throughout the entire pandemic.

But now, there is a greater urgency. Every facet of music education and performance was hit extremely hard during COVID. School music programs were pared back or eliminated altogether. Our rehearsals were broken up
to accommodate social distancing; private music lessons were often on Zoom; illness periodically kept students away from school, rehearsals, and lessons. And now we are living the consequences of the last 18 months.

This season we have returned with great excitement to regular rehearsals and live performances. But we are seeing a tremendous need for more focus on the individual, with more attention to sectionals and coaching. We need to redouble our commitment to our public music teacher partners to bring our students back to their pre-COVID musical confidence and technical prowess. Can you help us do this?

What do your donor dollars do?
  • $1,000 funds an additional coach for the season - every student will benefit
  • $500 funds 10 private lessons for our students with financial challenges, helping them get back up to speed - five students will benefit
  • $250 supports a scholarship for a student who would otherwise not be able to participate
  • $100 helps offset rehearsal expenses, music, equipment, and cleaning supplies!

We are so proud of our students, who never stopped to complain, or ask why they had to make music in such a different way last season. Now, these young musicians need our support more than ever. Please join us by making a donation that will allow more youth to join, more youth to learn, more youth to lead, and more youth to excel. Help us refill the bucket depleted by COVID. The last year has shown us in every way that we truly cannot
do it without you. Will you join us once more? Now is the time to make a difference. Please donate today.

All the very best,

Rebecca Calos, Executive Director

Anne-Marie Gorman Doyle, Director of Development

DONATE TODAY!

ESYO Musicians to Perform at Schenectady's Young Musicians Forum

ESYO Musicians to Perform at Schenectady's Young Musicians Forum

Catch their performance at the annual Beat the Snow Winter Concert Series online this Sunday, March 21, 2021.

ESYO Symphony Orchestra's oboist Anna Ryu, cellist Trey Coughlin, and clarinetist Patrick Yang, as well as ESYO percussionist and concert pianist William Lauricella, are eager to perform. Catch their performance at the annual Beat the Snow Winter Concert Series online this Sunday, March 21, 2021.

Presented by Schenectady's Young Musician Forum and sponsored by the Friends of the Schenectady County Public Library, the Beat the Snow Winter Concert Series is to feature music by Mozart, Robert Schumann, Tchaikovsky, Weber, Beethoven, and the wildly difficult 24th Caprice by Paganini, arranged for marimba.

FREE Virtual Concert | Beat the Snow Winter Concert Series

Presented by The Young Musicians Forum and Sponsored by the Friends of the Schenectady Public Library

Streaming on YouTube this Sunday, March 21, 2021 at 2pm

Anna Ryu, oboe
Trey Coughlin, cello
William Lauricella, piano and marimba
Patrick Yang, clarinet

Performing solo works by Mozart, R. Schumann, Beethoven, Tchaikovsky, and Paganini

WATCH ONLINE

Young Musicians Forum has a twenty-year tradition of presenting free concerts by exceptional young musicians preparing for careers in music.

ESYO Pioneers Interactive Virtual Podium

EMPIRE STATE YOUTH ORCHESTRA PIONEERS INTERACTIVE VIRTUAL PODIUM USING 360° VR & SPACIAL AUDIO TECHNOLOGY

Empire State Youth Orchestra 40TH Birthday Season Culminated with a Three-Night Digital Festival and the Virtual Premiere of Ágreda’s “Ay Caray” for Virtual Orchestra.

Schenectady, NY -- The Empire State Youth Orchestra, known regionally and nationally for challenging and inspiring young people to engage in a joyful pursuit of musical excellence, announced that the orchestra's 40th birthday season culminated in a digital festival featuring thirteen ensembles and over 400 young musicians from around the region. The three-night digital festival streamed online on Facebook Watch and YouTube nightly at 7:00 PM, beginning Thursday, June 11 through Saturday, June 13, 2020. The festival's title, "Sounding Together," comes from the root meaning of the word “symphony.”

The Sounding Together Digital Festival was a first-of-a-kind performance for ESYO and a direct result of the orchestra's commitment to playing through New York's COVID-19 pause. "This festival is a celebration of learning and a testament to the resiliency of our young music-makers," said Rebecca Calos, ESYO’s executive director. "Like many schools and orchestras across the country, we've been challenged to learn, rehearse, and perform, apart and online," she continued. "I'm so proud of the remarkable creativity of our musicians and the dedicated conductors and teaching artists that have inspired ESYO to keep playing."

The concept of "Sounding Together" started after a group of ESYO musicians and friends formed a virtual Jazz combo. Each member recorded their part at home using their cell phone, then ESYO musician Sam Hatfield mixed and produced the video. Similar projects occurred in Symphony Orchestra after Music Director Carlos Ágreda, who has also been actively making music online with colleagues across the country, challenged members of the orchestra to collaborate and perform chamber music together online. The “Sounding Together” Digital Festival featured many of the student-produced videos alongside virtual performances of all 13 ESYO ensembles and the virtual premiere of Ágreda's original composition, Ay Caray!

"It was a process, and it was challenging," said Ágreda. “The idea of synchronizing home performances in a grid-view video is not new, but we wanted to find a way to build an innovative virtual orchestra experience,” he continued. “What can we do that we wouldn’t be able to do if we were in person? How does a conductor fit in a virtual performance if he/she/they don’t have the musicians in front of them? That is how we came up with the idea of creating the first ever VR/360° orchestra”. With the help of Griffin Bengraff, a Digital Media Arts major at the College of St. Rose, Ágreda began reworking Ay Caray! into a composition for a virtual orchestra.

"For this project, we wanted to create a new virtual orchestra experience," said Bengraff. "In order to reflect the magnitude of a symphony orchestra, we adapted a traditional 180°degree orchestral layout into a new 360°degree space,” he continued. Using VR technology and spatial audio, Bengraff was able to create an immersive experience that places the audience in the center of the orchestra.

Festival highlights included ESYO's Wind Ensemble performing "Amazing Grace" with composer/arranger Jay Dawson; a quilted performance of "What a Wonderful World" by Concertino Strings; music by the Jazz and Percussion Ensembles; digital concerts by Concertino Winds and Brass; and at-home performances by members of CHIME, String Orchestra, and the Lois Lyman Concerto Competition winner William Lauricella and 2nd place finalist Elihu Conant-Haque. The festival also included Senior Spotlights to honor the ESYO Class of 2020, student reflections on playing through the pause, and dedications to front line healthcare heroes, first responders, and Capital Region teachers.

For a complete listing of festival concerts and information on how ESYO is playing through the pause, visit esyo.org/soundingtogether. The Sounding Together Digital Festival is made possible by the generous support of the University at Albany Foundation and the Metlife Charitable Foundation.

FESTIVAL HIGHLIGHTS

ESYO Receives Transformative $1.5 Million Grant from Schenectady County

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Schenectady County Legislature unanimously voted to approve a resolution providing $1.5 million in American Rescue Plan Act funding to ESYO for New Home

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Schenectady LegOn Tuesday, August 9, 2022, ESYO's vision of creating a vibrant center for music youth took a significant step forward after the Schenectady County Legislature unanimously voted to approve a resolution providing $1.5 million in American Rescue Plan Act funding to ESYO. The grant, which is ESYO's largest ever, will seed the transformation of the former St. Joseph's Parish School into a state-of-the-art rehearsal facility where the 14 performing ensembles of ESYO can practice.

ESYO board chair Omar Williams and ESYO executive director Rebecca Calos hosted the legislature's monthly meeting at ESYO's new facility at 45 MacArthur Drive. Before the meeting, ESYO staff gave tours to many of the legislators and shared ESYO's plans for the facility. "We are grateful to the Schenectady County Legislature for recognizing the importance of supporting our region's musical youth," said Rebecca Calos. "For the first time in our history, all 14 performing ensembles will rehearse under one roof, better connecting our members, and empowering our young musicians to build a vibrant musical community," she continued. The dedicated space will allow ESYO room to grow by exploring summer programming and music camps, educational collaborations with local school districts, after-school programming, and more.

Large Rehearsal Room DesignThe first phase of the multi-year, multi-phased renovation will convert the gym into an acoustically tuned rehearsal space for ESYO's larger ensembles. The former cafeteria will become a flex space that can host smaller rehearsals, workshops, board meetings, and other special events. Additional upgrades include asbestos abatement, critical updates to the restroom facilities, fire suppression systems, and administrative offices. As part of the second phase, all eight classrooms will undergo renovations and acoustic treatments, and an additional rehearsal room will be built to expand rehearsal capabilities.

ESYO's new building is more than ESYO's permanent home. When completed, it will be a creative makers-space for young musicians and a place where music, technology, and community come together under one roof. The 8-acre property will also onboard an additional 15,000 square feet of space dedicated to the performing arts and serve as a catalyst for collaboration with the community.

Banner Photo Credit: Robert Bengraff. Additional Photo Credits: Schenectady County Legislature and Envision Architects. 

 

Visit The Center of Musical Youth's Webpage

ESYO Receives Vital Support from Several Foundations

ESYO Recieves Vital Support from Local, Regional, and National Foundations

ESYO has received $68,500 in grant support from 4 local foundations

ESYO enters the new season in a strong position to serve the next generation of young musicians. This generation, which has weathered the worst pandemic in recent memory, proved most resilient. Their passion and dedication to sounding together inspired the support of countless friends and foundations.  

ESYO's efforts this season are made possible through the generous support of individuals, neighborhood businesses, and corporations, as well as local, regional, and national foundations.

A special thank you to the following foundations for their unwavering support this season: 

  • Rea Charitable Trust- $50,000
  • Carnegie Hall PlayUSA- $10,000
  • Barry Alan Gold Memorial Fund- $5,000 
  • D'Addario Foundation- $3,500

"ESYO is particularly grateful for the foundational support we've received from the many local, regional, and national foundations who've invested in the personal growth of our musicians and their joyful pursuit of musical excellence," said Rebecca Calos, ESYO's Executive Director.

The investment from these foundations comes at a critical time as ESYO and conductor Etienne Abelin begin their first season together. The support allows ESYO to continue CHIME, its afterschool partnership in Schenectady; record and broadcast virtual concerts; welcome audiences back to the Troy Savings Bank Music Hall; and nurture the growth of young musicians in New York's Capital and Hudson Valley regions, as well as western Massachusetts, and Southern Vermont.

ESYO Recieves Vital Support from Local, Regional, and National Foundations

ESYO Recieves Vital Support from Local, Regional, and National Foundations

ESYO has received $156,000 in grant support from 13 local, regional, and national foundations

The global COVID-19 pandemic has shuttered concert hall, paused in-person concerts, and forced music and arts institutions to work and think differently. Since the beginning of the pandemic, ESYO has worked to find creative ways to adapt its enterprise to meet fluid conditions caused by COVID-19. Smaller ensembles and socially distanced orchestra layouts, safe-studio space at Proctors, custom-made instrument PPE, investments in educational technology and virtual concert recordings, and an increased need for financial assistance have swelled operating expenses and stretched organizational budgets for non-profit arts organizations like ESYO.

ESYO's efforts to play through the pandemic are made possible through the generous support of countless individuals, neighborhood businesses, corporations, and foundations. This season to date, ESYO has received $156,000 in grant support from 13 local, regional, and national foundations with sizeable investments from The Rea Charitable Trust, The Schenectady Foundation, Carnegie Hall PlayUSA, and Sistema USA Presto.

Rea Charitable Trust: $50,000
Carnegie Hall PlayUSA: $25,000
The Schenectady Foundation: $15,000
Sistema USA Presto: $15,000
Review Foundation: $10,000
Seymour Fox Foundation: $10,000
Stewart's Shops & Dake Family: $10,000
Alfred Z. Solomon Charitable Trust: $5,000
Berkshire Bank Foundation: $5,000
M&T Charitable Foundation: $5,000
Henry Butzel Family Foundation: $2,500
Price Chopper/Golub Foundation: $2,000
Fenimore Asset Management: $1,500

"ESYO is particularly grateful for the foundational support we've received from the many local, regional, and national foundations who've invested in the personal growth of our musicians and their joyful pursuit of musical excellence," said Rebecca Calos, ESYO's Executive Director.

The investment from these foundations comes at a critical time as ESYO begins its second term in the 2020-2021 season. The support allows ESYO to continue CHIME, its afterschool partnership in Schenectady, Albany, and Troy; stream ESYO Ensemble rehearsals online to musicians quarantined by the pandemic; record and broadcast virtual concerts in its brand-new Virtual Concert Hall; provide an essential creative outlet for young musicians in New York's Capital and Hudson Valley regions, as well as Western Massachusetts, and Southern Vermont.

ESYO Rewind! 2021-2022 Opening Weekend

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A Look Back at ESYO's 2021-2022 Opening Weekend

After nearly two years since their last performance for a live audience, ESYO Symphony Orchestra returned to the Troy Savings Bank Music Hall to open what is sure to be an astonishing season filled with daring musical adventures, memorable moments, brilliant performances, and the music we love.  Were you there?  Get social and share your photos and experience online.  Don't forget to tag @empirestateyo on Instagram, Facebook, and Twitter.

  • One by one, the lights pierced the dark recesses of the Troy Savings Bank Music Hall. For the first time in two years, the Music Hall set the stage for ESYO's triumphant return.

  • On Thursday November 4th, ESYO Symphony Orchestra settled in to rehearse at the Music Hall. Hearing the teeming sounds of Jeniffer Higdon's "Light" for the first time in the hall was awe-inspiring. The acoustics at the Troy Savings Bank Music Hall is the perfect accompaniment to exceptional performance.

  • Each musician came to the dress rehearsal prepared to work hard and have fun. This special moment marked an important milestone in ESYO's emergence from the challenges of the COVID-19 pandemic. As the sounds echoed through the hall, the 90+ member orchestra sounded together as one ensemble, not as three separate orchestras.

The next day, the musicians returned to the Troy Savings Bank Music Hall early for a final run-through to polish their performance.  After a run-through of each piece, the orchestra enjoyed a nice break while patrons arrived in anticipation of the first concert of the 2021-2022 season.

Friends, family, neighbors, and ESYO Alumni eagerly walked through the doors and made their way to their seats inside the concert hall. ESYO Finance Director Lisa Stulmaker and our partners at the Troy Savings Bank Music Hall warmly greeted audiences as they arrived and made their way to the concert hall. 

Volunteers scanned tickets, gave out programs books and ushered patrons to their seats. Thank you to all the amazing parents and neighbors who volunteer their time to help make our concerts run smoothy. 

The performance began with "Light" by American composer Jennifer Higdon. The opening overture illuminated the concert hall and showed the world that youth orchestras are lights in the community. The rhythms and melodies of Danzón No. 2 by Arturo Márquez danced from the clarinets to the oboe, piano, violin, French horn, trumpet, flute, and piccolo.

Dvorak's 8th Symphony began with an emotional theme reflective of the challenges we faced since the beginning of the pandemic. As the flutes chirped, the joyous and buoyant expositions dispelled the looming clouds and gave way to a truly hopeful and beautiful symphony.

ESYO Youth Percussion Ensembles

Sunday, Nov. 7, 2021 at Brown School

On Sunday, November 7th, ESYO's Chamber Percussion Ensemble and Youth Percussion Ensemble turned the Brown School Gym into a suitable performance space while volunteers welcomed over 80 friends, family, and percussion enthusiasts from around the area.

ESYO Conductors Genoveffa Vitale and John Antonio, together with the ESYO Chamber Percussion Ensemble, explored a wide range of contemporary pieces. From the vibraphone and marimba to the snare drum and timpani, each young musician cycled through the instruments gained valuable experience. The emerging percussionists also performed Brandon Dittgen's Asante with West African instruments, like the gankogui (cowbell), Shekere, and the conga's.

With ESYO conductor Richard Albagli at the podium and soloist William Lauricella, ESYO's Youth Percussion Ensemble returned to perform Arcadia II by David Maslanka. Like Dvorak's Symphony No. 8 performed a few days prior, the concerto for solo marimba and percussion ensemble emerges from the darkness and takes the listener on a contemplative walk through nature. ESYO's Youth Percussion Ensemble has a longstanding relationship with this piece, having performed the work in 2002 at the Troy Savings Bank Music Hall for NPR's "From the Top."

The ensemble brought the audience to their feet with a rousing and electric performance of Tetracurrent by Chad Floyd conducted by ESYO conductor Mark Foster.